Natalie Loveless, Associate Professor, History of Art, Design, and Visual Culture, University of Alberta - Research-Creation and Institutional Form
Research Seminar Series
Research-Creation and Institutional Form
Presented by Natalie Loveless, Associate Professor
History of Art, Design, and Visual Culture, University of Alberta
Students, staff and the general public are welcome to attend this FREE in person event.
IMPORTANT NOTE: Please view the information here before you come to campus.
Abstract
An intervention into normative scholarly practice, research-creation (a sister term to practice-led and/or artistic research) has gained increasing visibility and validity over the past decade within the North American academy. Grounded in artistic means and methods, research-creation invites us to attend to the methods we mobilize as well as our modes of output and publication at the level of constitutive form. This research seminar will return to some of the key provocations laid out in Loveless' 2019 book How to Make Art at the End of the World: A Manifesto for Research-Creation, and opens onto questions of how and why it is important to champion research-creation attuned to social and ecological justice within our university spaces today.
Bio
Natalie Loveless is Professor of Contemporary Art and Theory in the Department of Art & Design at the University of Alberta, located in ᐊᒥᐢᑿᒌᐚᐢᑲᐦᐃᑲᐣ (Amiskwacîwâskahikan) on Treaty Six territory, where she also directs the Research-Creation and Social Justice CoLABoratory. She is a fellow of the Royal Society of Canada (College of New Scholars, Artists, and Scientists) and the author of How to Make Art at the End of the World: A Manifesto for Research-Creation (Duke UP 2019), editor of Knowings and Knots: Methodologies and Ecologies in Research-Creation (University of Alberta Press 2019), and co-editor of Responding to Site: The Performance Work of Marilyn Arsem (Intellect Press 2020).
Event Details
- Date:
- 30 March 2023 at 2:00 pm – 3:30 pm
- Venue:
- Seminar room 1 (G26), Building 88, Holman Hall Monash University, 27 Sports Walk
- Campus:
- Clayton
- Cost:
- Free
- Categories:
- Sir Zelman Cowen School of Music and Performance; Research Seminars
Description
Research Seminar Series
Research-Creation and Institutional Form
Presented by Natalie Loveless, Associate Professor
History of Art, Design, and Visual Culture, University of Alberta
Students, staff and the general public are welcome to attend this FREE in person event.
IMPORTANT NOTE: Please view the information here before you come to campus.
Abstract
An intervention into normative scholarly practice, research-creation (a sister term to practice-led and/or artistic research) has gained increasing visibility and validity over the past decade within the North American academy. Grounded in artistic means and methods, research-creation invites us to attend to the methods we mobilize as well as our modes of output and publication at the level of constitutive form. This research seminar will return to some of the key provocations laid out in Loveless' 2019 book How to Make Art at the End of the World: A Manifesto for Research-Creation, and opens onto questions of how and why it is important to champion research-creation attuned to social and ecological justice within our university spaces today.
Bio
Natalie Loveless is Professor of Contemporary Art and Theory in the Department of Art & Design at the University of Alberta, located in ᐊᒥᐢᑿᒌᐚᐢᑲᐦᐃᑲᐣ (Amiskwacîwâskahikan) on Treaty Six territory, where she also directs the Research-Creation and Social Justice CoLABoratory. She is a fellow of the Royal Society of Canada (College of New Scholars, Artists, and Scientists) and the author of How to Make Art at the End of the World: A Manifesto for Research-Creation (Duke UP 2019), editor of Knowings and Knots: Methodologies and Ecologies in Research-Creation (University of Alberta Press 2019), and co-editor of Responding to Site: The Performance Work of Marilyn Arsem (Intellect Press 2020).