Prominent Australian artist transforms Hollywood home into white fantasy forest
25 January 2019
Renowned Australian artist Kathy Temin has created an otherworldly landscape of synthetic-fur trees, transforming the Los Angeles home of Kim Kardashian and Kanye West into a fantasy-inspired forest.
“It’s like a winter wonderland Whoville” Kim Kardashian said in her Instagram Story video, referencing the fictional town created by Dr. Seuss in his children's books.
American rapper and entrepreneur Kanye West came across Temin’s work while seeking inspiration for their annual star-studded Christmas party.
“Kanye saw an image of one of my earlier works ‘My Monument: White Forest’ that is in the Queensland Art Gallery Collection. He liked the textures and otherworldly feeling of the work.” said Temin, currently Interim Head of Fine Art at Monash University. “He is an artist, he is very engaged with contemporary art and is also a collector.”
“He called me and we spoke about my art practice and how could I create a sculptural landscape in their house - to be unveiled at their Christmas party. Kanye had called Anna Schwartz Gallery, who represents my work, and she entered into the conversation and that was how the ‘White Forest: White Christmas’, 2018 commission was born.”
Temin’s “White Forest: White Christmas” commission consists of 64 large tree-like forms. Constructed from steel, wood and MDF, then covered in Temin’s signature material – synthetic fur – the rows of trees made in response to the architecture of the house create an internal forest, that is both visually and texturally immersive for the viewers.
“The forest works have different references in different contexts. For example, ‘My Monument: White Forest’ is about the oppositional dialogue of adversity and optimism. The repetition of the idealised trees, with their symbolic or childlike form, seeks to create an engagement with remembrance and comfort” said Temin.
Temin is a prominent Australian contemporary artist with an international reputation for her sculptural practice, with her works held in major museum collections across Australia. Most recently “My Monument: Black Gardens”, 2010 was included in the exhibition “Spacemakers and roomshakers”, at the Art Gallery of New South Wales, Sydney.
“My work draws from pop culture and childhood references, with materiality and spatial influences from art history, interior design and architecture. At its centre my work explores the ideas of cultural, material and historical memory and loss.”
Temin currently balances her time between her art practice, overseas commitments and her role as interim Head of Fine Art at Monash University, placing her in a critical vantage point to observe the changes within the Australian art scene.
“Australian artists utilise ideas and technologies from a myriad of industries and philosophies, to create works that address issues of gender, race and colonialism. I am particularly interested in social inclusion, and of artists exploring themes such as cultural identity and gender” said Temin.
“Monash University Fine Art is positioned at the centre of this discourse and plays a vital role in developing future artistic leaders. By providing a space to engage with a creative community, Monash allows young artists, historians and curators to have a dialogue, to help them uncover their own artistic voice."
"The artwork and research coming out of the school reflects the critical issues facing society now. We’re providing our students - emerging artists, writers, curators and innovators - with the tools to understand the present, and envision the future. Our students finish their studies industry ready and engaged in the world” said Temin.
Monash University offers a Bachelor in Fine Art, Art History and Curating and Visual Arts and Fine Art postgraduate by research.