Wavelength II
Music

Wavelength II

OK EG

PART OF PROGRESS: A FESTIVAL OF IDEAS.

When we asked independent Australian performing artists for submissions to develop new work on the theme of progress we were impressed but not surprised by the amazing range of responses.

For the past two centuries, aphorisms like ‘That’s progress’ or ‘You can’t get in the way of progress’ have been used to provoke or shut down arguments, but in recent years the pace of technological change seems almost too hard to process.

Sociologists, futurists, psychologists all struggle to frame vital discussions about this time of never-ending transition, but the tangential insights offered by artists are often the ones that really sink in.

The winners of the MLIVE Works in Progress Commission, hybrid music installation artists, OK EG (Lauren Squire and Matthew Wilson) are a perfect example. Their new work Wavelength II will draw on technology that is literally in development now, to re-frame the idea of live performance. A sequencer-driven solenoid valve is used to create extraordinary synchronisation between the release of water droplets and a particular melodic or rhythmic cell, with the artists interacting live with this automated sequence.

The result will be both a meditation on how creativity and robotics can co-exist and a concrete example of that very phenomenon.

‘The best moments were the surprises, like… OK EG’s ambient techno performance inside the Collins Street Baptist Church.’
The Guardian reviewing OK EG’s performance at White Night 2017.

Image: Ana Maria Silva.

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