Tina Chen’s artworks encompass iconic, figurative subjects reconceived as psychoanalytic archetypes. Her works evince a familiar muse, such as the Mother Goose as the 'Mother', in representations of surrealist phenomena, namely, the psyche of man. The human unconscious is presented as subject to visual symbols and allegories of archetypes. Chen’s works encapsulate a worldly depiction of an ambiguous muse, where traditional oils and two-dimensional mediums retain the materiality of imageries. Classical aesthetics are reimagined by juxtaposing surrealist ideologies, synchronising with Freudian intimacies through the picturesque to manifest a psychological romance of traumas and ideals.
glass cradle, golden cloud, the canopy of her gown
oil on canvas, 50 by 40 cm
Goose with Golden Egg
oil on canvas, 30 by 25 cm
“She is the Heavenly Goose, Eternal Goose, Virgin Goose, and the Mother of all the Jack.”
Mother and Jack, Dinner
oil on linen, 51 by 120 cm
"A Mothers and Jack dinner party, with transparent eggnog."
'Installation view 1'
'Installation view 2'
'Installation view 3 '
'Installation view 4'
'Installation view 5'
Wanyi (Tina) Chen, glass cradle, golden cloud, the canopy of her gown
In the spirit of reconciliation Monash University acknowledges the Traditional Custodians of country throughout Australia and their connections to land, sea and community. We pay our respect to their elders past and present and extend that respect to all Aboriginal and Torres Strait Islander peoples today.