Chloe-Gabrielle Fuller

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Chloe-Gabrielle Fuller is interested in the ways that the tools of architectural representation can be a conduit for anti-capitalist critique. Her praxis of drawing is research based and invokes both experimental and intuitive processes. She draws from multiple disciplines for the realisation of her works; History, art, philosophy, politics, economics, engineering and literature. Her work aims to challenge the static passivity of the viewer in conventional architecture. She aims to explore how architectural depictions can be dynamic, be used to map complex totalities and to expose the contradictions of capitalist society.

The Peter Elliott Architecture + Urban Design prize for Drawing Architecture_ Winner

Most accomplished drawings of architecture, from traditional through to new frontiers. This prize is about the love of drawing as a means of communicating ideas in any medium. Endowed by Peter Elliott Architecture + Urban Design

Best in Studio

Most outstanding design project in the studio: Fugitivity

"Business as Usual"

A critique of the capitalist accumulation circuit; An archaic circuit underpinned by necropolitics, that accumulates only profit and produces only profound alienation and death. Depicted are the processes that contribute to, and the consequences resultant from, the mass of humanity's alienation from control over the objects and processes of production. This circuit must necessarily be overthrown to stop the current, resistible plunge into barbarism, to liberate the creative potential of the mass of humanity, and to save organic life on earth.

"The Infinite Potential of Self-Determination"

The result of a simulated process of syntactic co-design involving Artifical Intelligence, William S. Burroughs and Eye-witness accounts of the student occupations in France, May 1968. The pieces of the drawing move according to the directives of generative text, and 'rules' that serve as a stand-in for the preferences of a 'client;' the 'omnipotent' role of the architect is negated, and instead the informal grid becomes an open field for the potential of acts of self-determination to reconfigure space; this process is repeatable, ad infinitum and outcomes are unique.

The Peter Elliott Architecture + Urban Design prize for Drawing Architecture_ Winner

Best in Studio

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