I am a multimedia designer working with motion, AI assisted imagery and mixed media storytelling. My practice often sits between the organic and the artificial, exploring how light, texture and subtle movement shape emotional tone. I aim to create quiet and atmospheric visuals that allow viewers to slow down, notice small details and enter a more attentive state.
The Fog Watched
I am a fan of slow and atmospheric suspense works, and this piece is my attempt to create a title sequence that hints at the relationships between the characters without revealing any plot. I wanted the imagery to feel like something found in the London smog of the early 1950s, so I researched real objects, cameras and street details from that period. Many of the textures and props were rebuilt or repaired in Photoshop to restore the feeling of aged film, worn surfaces and subtle archival flaws. The project focuses on mood, lighting and historical accuracy rather than explicit storytelling.
I have always loved science fiction such as Blade Runner and The Matrix because these stories explore possibility and question how consciousness exists across different forms of life. This short piece is part of a larger rescue narrative. The two characters act like figures inside a controlled digital system. One is a quiet guide and resistant presence within the system, akin to Morpheus leading Neo. The other is a monitored anomaly whose frozen crystal wings hint at a break in the system’s logic. Built with AI tools, the workflow focused on strict character consistency and subtle visual cues. This upload presents the first unit and I plan to continue the world and their relationship.
I am a multimedia designer. This short showreel gathers selected works from 2025. It features title design, AI assisted character motion, brand visuals, and mixed media collage. The focus is quiet atmosphere, rhythm, light, and texture. The Fog Watched and Silent Ascension were built with AI tools with strict character consistency. Other clips include brand and product motion and a cut out wildlife study. Music generated with Suno. The aim is to show clear design, pacing, and a calm sense of narrative.
In the spirit of reconciliation Monash University acknowledges the Traditional Custodians of country throughout Australia and their connections to land, sea and community. We pay our respect to their elders past and present and extend that respect to all Aboriginal and Torres Strait Islander peoples today.
