Monash University logo

Monash Art, Design and Architecture Graduate Exhibition 2025

At the core of my practice is an interest in how place, material culture, and shared histories shape identity. In my work I explore how objects, architectural forms and imagery act as vessels for collective memory and emotional connection. While printmaking is often linked to mechanical reproduction, I have attempted to use it to challenge uniformity and the subtle beauty of human touch in art making. Through manual dissection and reconstruction of imagery, I have studied the way process can become the basis of a conceptual work and ultimately a deep reflection of self.

Megalo Print Studio Graduate Residency

1 year’s membership, 4 weeks’ extended access to the studios and equipment, 4 weeks’ accommodation, $300 in-kind materials stipend.

Self Portrait

Copper etching, ink, paper, wood
This work is a series of multi-plate copper photo-etchings that depict one image yet have been displayed linearly. Multi-plate etchings refer to the layering of colours through copper plates that have different information on them. Photo-etching is the process of etching a photographic image into a copper plate. I have used both techniques in a way that attempts to manually recreate a coloured digital image in the CMYK format.

Self Portrait, Installation view 1

Self Portrait, Installation view 2

Self Portrait, Installation view 3

Self Portrait, Installation view 4

Explore more


View all


Back to top