Hi! I’m Mei Li. I love working with printed matter, typography, photography and visual identities. My work is concept-driven with a meaningful impact. Through my studio project, I explore notions of obscurity and clarity in communication. Creating a speculative approach to language, the project engages in the interpretations of spoken and written language through the context of audiovisual technology and musical notation.

Olsson Sans

Olsson Sans is a typeface named after Philip Olsson, a Swedish engineer who is thought to have introduced media control symbols to audiovisual technology equipment in the 1960s. Consisting of 21 speculative glyphs, its intended use is for a notional piece of technology, the OS Synthesiser, that uses the latin alphabet to represent musical notes instead of traditional modes of transcription. The letterforms are informed by modernist sensibilities, juxtaposed with seemingly intelligible letters to reflect both the obscure origins media control icons and how they are now internationally used. In essence, Olsson Sans is a series of intriguing contradictions.

Olsson Sans

Olsson Sans

Olsson Sans – Character Set

The Olsson Sans family consists of three fonts: Olsson Sans Regular, Olsson Sans Sharp and Olsson Sans Flat, to accomodate a range of music notes and keys, and hint loosely at audio technology. The triangle and rectangular forms denote a sharp and flat note respectively. These further reference media control symbols, namely the eject button which consists of the same shapes, to expand its context.

Olsson Sans – Piano Visualisation

Each letterform from Olsson Sans corresponds to two music notes, as illustrated in this piano visualisation.

Olsson Sans – OS Synthesiser

Olsson Sans is designed for a speculative synthesiser that uses new letterforms to convey various pairs of music notes.
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