My practice investigates the complex relationship between art and nature. By exploring life cycles of living and dying, I consider the materiality and fragility of nature, its potentiality and unpredictability. Cyanotypes capture the impressions of flora as a photograph from the sun, a moment in time, a breath emerging from the page. My work explores weeds; the subversive aliens, shape-shifters, outlaws. They shoot out roots like tentacles, latched to the earth, they are vigorous and thrive in adversity. Weeds are smart, they look ahead and chose new paths and strategies. If you think about it, humans are the biggest weeds of all.
Sympoiesis
Installation, suspended cyanotype prints on fabric. A delicate immersive environment that highlights weeds in an exhibition context and places something unwanted in the white cube challenging the ‘laws’ of art and nature.
Sympoiesis
Cyanotype print on cotton, 148 x 108cm
Sympoiesis
Cyanotype prints in eggshells
Installation view 1
Installation view 2
Installation view 3
Installation view 4
Madeline Crockett, Sympoiesis
Madeline Crockett, Sympoiesis
Madeline Crockett, Sympoiesis
Madeline Crockett, Installation view 1
Madeline Crockett, Installation view 2
Madeline Crockett, Installation view 3
Madeline Crockett, Installation view 4
In the spirit of reconciliation Monash University acknowledges the Traditional Custodians of country throughout Australia and their connections to land, sea and community. We pay our respect to their elders past and present and extend that respect to all Aboriginal and Torres Strait Islander peoples today.