Andrew Ma

this speculation is not to predict a foreseeable future for calculated change or to provide potential solutions, but instead to raise questions on present relations between humans and the world they inhabit. The speculation of the journey the players would go through with the extraction of extrinsic and intrinsic benefits of the rewarding journey will allow users to gain an emotional and deeper connection with its correlating inhabitants with the new global political space. Within this study, users will gain a deeper understanding of the adversarial relationship between human malfeasance and the increasingly endangered marine wildlife population.

Visitors are put on a journey that allows for the valuation of the impact’s humanity activities have on marine wildlife. In this study, a proposition of a marine pavilion situated within Melbourne airport terminal two puts travelers on a multi-sensory meaningful journey that transforms users into both human interventions and marine impacts at various stages of commercial, domestic, and spiritual programs. In this exploration, the conceptual spatial use of levels is used as a tool to evaluate the different relationships between humans and the environment.

(top level human interventions)(bottom level marine experiences of capture)
a pre-existing structure that is a catalyst for the global distribution of new ideas around the globe. This pavilion is about marine conservation and the right of speech, giving voice to marine wildlife through spatial practice. Consisting of a large range of programs, this speculation brings the ocean to humanity, giving the opportunity to use spatial tools used in interior architectural practice as a methodology to curate a trans-formative narrated journey that allows users to experience what marine wildlife would in the natural environment.

Gamification is used in this interior spatial debate surrounding the complex and fragile relationship between human malfeasance and endangered marine wildlife populations. The proposition in the speculation involves the careful design of game mechanics to evoke player and user emotional responses. As a result, extracting and extrapolating the extrinsic and intrinsic benefits of game design curates meaningful and rewarding journeys that allow users to gain a deeper and emotional connection to the marine species.

Levels and stages and satisfying feeling of accomplishment from the completion of such levels. In this instance, visitors are put on a journey that allows for the valuation of the impact’s humanity activities have on marine wildlife. In this study, a proposition of a marine pavilion situated within Melbourne airport terminal two puts travelers on a multi-sensory meaningful journey that transforms users into both human interventions and marine impacts at various stages of commercial, domestic, and spiritual programs.

Humans not only invade their natural habitats but destroy everything and anything in their path to pursue the unethical capture of marine animals. This begs to question is this practice ethical, taking away individuals from their families without consent, and in doing so putting them in a stressful environment? Subsequently endangering future generations of their populations at high rates of capture, without knowing if they would have the ability to reproduce and repopulate in time.