Creative writing supervision specialties

Ali Alizadeh: literary fiction, horror fiction, innovative writing, poetry, historical fiction, political writing

Fiona Gregory: theatrical and performance-based work, memoir, autofiction, medical humanities

Jarrod Hayes: queer life writing, personal/autobiographical criticism, autotheory

Melinda Harvey: creative modes of criticism, arts criticism, personal essay, memoir, creative nonfiction, autofiction.

Chris Murray: narrative non-fiction, life writing, memoir, personal essay, travel writing, Asia, ekphrasis

Simone Murray: Melbourne-set writing, creative writing for digital platforms, life writing, micro/flash fiction, place-based narrative, remix/fan fiction, campus fiction

Barbara Pezzotti: crime fiction, science fiction, historical fiction

Michelle Smith: children’s and young adult fiction, fantasy fiction (especially fairy tale and Gothic)

Patrick Spedding: historical fiction, science fiction, fantasy, Gothic, YA

Carlos Uxo: crime fiction

Angela Viora: practice as research, performance studies and embodied disciplines, performance processes and audience participation, visual, plastic, and performing arts; artivism (art+activism), contemporary art practice.

Chris Watkin: all aspects of theoretically-informed writing: theories of authorship, fiction, autofiction, plot, textuality, intertextuality; historical and contemporary approaches to and understandings of fiction/writing