Monographs
Vizard, Steve. Nation, Memory, Myth: Gallipoli and the Australian Imaginary. Melbourne: Melbourne University Press, 2025.
Kate Darian-Smith, Sue Turnbull, Sukhmani Khorana, and Kyle Harvey. Migrants, Television and Australian Stories: A New History. London: Routledge, 2025.
Moore, Tony, Mark Gibson, Chris McAuliffe, and Maura Edmond. Fringe to Famous: Cultural Production in Australia after the Creative Industries. New York: Bloomsbury Academic, Bloomsbury Publishing, 2024.
Carroll, Mark and Anna Goldsworthy. Beyond the Stage: Creative Australian Stories From the Great War. Adelaide: Wakefield Press, 2020.
Pender, Anne. Seven Big Australians: Adventures with Comic Actors. Clayton, Victoria: Monash University Publishing, 2019.
Moore, Tony. Dancing with Empty Pockets: Australia’s Bohemians Since 1860. Sydney, NSW: Pier 9, 2012.
Casey, Maryrose. Telling Stories: Aboriginal Australian and Torres Strait Islander Performance. Melbourne: Australian Scholarly Publishing, 2012.
Pender, Anne. One Man Show: The Stages of Barry Humphries. Pymble, NSW: HarperCollins, 2010.
O’Keefe, Andrew, and Steve Vizard. The Best Australian Humorous Writing. Melbourne: Melbourne University Publishing, 2009.
McColl Jones, Mike, and Steve Vizard. Graham Kennedy: Friends Remember The King. Carlton, VIC: Melbourne University Press, 2008.
Gibson, Mark. Culture and Power: A History of Cultural Studies. Oxford, UK: Berg, 2007.
Moore, Tony. The Barry McKenzie Movies. Strawberry Hills, Sydney: Currency Press, 2005.
Casey, Maryrose. Creating Frames: Contemporary Indigenous Theatre 1967–1990. St Lucia, Queensland: University of Queensland Press, 2004.
Carroll, Mark. Music and Ideology in Cold War Europe. Cambridge, UK: Cambridge University Press, 2003.
Chapters
Vizard, Steve. “The Curly Encounter of Larry and Mo.” In Beyond the Stage: Creative Australian Stories from the Great War, edited by Mark Carroll and Anna Goldsworthy, 105–125. Adelaide: Wakefield Press, 2020.
Gibson, Mark and Tony Moore. “Cultural Innovation on the Fringe - the Fields of ‘Limited’ and ‘Extensive’ Production’.” In Bourdieu’s Field Theory and the Social Sciences, edited by James Albright, Deborah Hartman and Jaqueline Widin, 149–164. Singapore: Palgrave Macmillan, 2018.
Moore, Tony, Mark Gibson, and Maura Edmond. "Fringe to Famous: Enabling and Popularising Cultural Innovation in Australia." In Routledge Companion to Global Cultural Policy, edited by Victoria Durrer, Dave O’Brien, and Toby Miller, 281–298. London, UK: Routledge, 2017.
Moore, Tony, Mark Gibson, and Catherine Lumby. “Recovering the Australian Working Class.” In Considering Class: Theory, Culture and the Media in the 21st Century, edited by Mike Wayne and Deirdre O’Neill, 217–234. Leiden, The Netherlands: Brill, 2017.
Gibson, Mark. “Creativity and attenuated sociality: Creative communities in suburban and peri-urban Australia.” In Creative Communities: Regional Inclusion and the Arts, edited by J. McDonald and R. Mason, 49–61. Bristol, UK: Intellect, 2016.
Moore, Anthony Bruce. "'Stop laughing - this is serious’: The ’Larrikin Carnivalesque’ in Australia." In On Happiness: New Ideas for the Twenty-First Century, edited by Camilla Nelson, Deborah Pike and Georgina Ledvinka, 146–162. Crawley, Western Australia: UWA Publishing, 2015.
Journal Articles
Gibson, Mark, Tony Moore and Steve Vizard. "Fast Forward and the high broadcast moment: television sketch comedy and the conditions for democratic nationalism." Media International Australia (2026).
Hurley, Angelina. "Blak Humour: The Strategic Role and Healing Power of Humour in Aboriginal Wellbeing and Survival." Genealogy 10, no. 22 (2026).
Hurley, Angelina. "Laughter with purpose: how First Nations Australian comedians use humour to engage, educate, and empower audiences." Comedy Studies 16, no. 2 (2025): 259–274.
Hurley, Angelina. "Pointing the Funny Bone." Red Ink Journal of International Indigenous Literature, Art and Humanities 19, no. 3 (2019).
Pender, Anne. “John Clarke: The Man, the Mask and the Problem of Acting.” Comedy Studies 10, no. 1 (2019): 8–20.
Casey, Maryrose. "Performances of Belonging." Australasian Drama Studies 73 (2018): 186–206.
Pender, Anne. “Theatre Animals: Sumner Locke Elliott’s Invisible Circus.” Australasian Drama Studies, no. 68 (2016): 54–74.
Gibson, Mark. "Tchk, tchk, tchk: Skippy the Bush Kangaroo and the question of Australian seriousness." Continuum – Journal of Media and Cultural Studies 28, no. 5 (2014): 574–582.
Moore, Tony. "What Route are you Taking?’ The Transnational Experience of the Barry McKenzie Movies." Continuum – Journal of Media and Cultural Studies 28, no. 5 (2014): 629–639.
Casey, Maryrose. "Laughter and Trauma: Making Sense of Colonial Violence." Performing Ethos 4, no. 1 (2013): 9–23.
