Publications

Welcome to our Publications section, where we proudly present our members's scholarly contributions in the field of gender and media studies.

Badley, L., & Perkins, C. (2016). Indie Reframed: Women's Filmmaking and Contemporary American Independent Cinema. Edinburgh University Press. https://doi.org/10.1515/9781474403931
Baker, A. & Rodrigues, U. (eds.). (2022). Reporting on Sexual Violence in the #MeToo era. London: Routledge. pp.1-224.
Baker, A.; González de Bustamante, C.; & Relly, J. (eds.) (2022). Reporting on Violence Against Women in the Global South in the #MeToo era. London: Palgrave/Springer, pp.1-280.
Fitch, K & Motion, J. (2021). Popular Culture and Social Change: The Hidden Work of Public Relations. Abingdon, England: Routledge.
Fitch, K. (2016). Professionalizing Public Relations: History, Gender and Education. London: Palgrave Macmillan.
Kanai, A. (2019). Gender and relatability in digital culture: Managing affect, intimacy and value. Basingstoke: Palgrave Macmillan.
Khoo, O. (2007). The Chinese exotic : modern diasporic femininity. Hong Kong : Hong Kong University Press.
Trott, V. (2023). Feminist activism and platform politics. New York: Routledge.
Anderson, D. (2023). Endurance in the Australian Wheatbelt: 'Drought makes who we are'. In N. Salazar, J. Scheerder, & E. Lanclus (Eds.), The Contemporary Meanings of Endurance (1st ed., pp. 60-79). (Routledge Studies in Resilience). Routledge. https://doi.org/10.4324/9781003321842-5
Anderson, D. (2022). Grim humour and hope: Australian oral histories of drought. In S. M. Sloan, & M. Cave (Eds.), Oral history and the environment: Global perspectives on climate, connection, and catastrophe (1st ed., pp. 13-33). (Oxford oral history series). Oxford University Press.
Chen, S. X., & Kanai, A. (2022). Authenticity, uniqueness and talent: Gay male beauty influencers in post-queer, postfeminist Instagram beauty culture. European Journal of Cultural Studies, 25(1), 97-116. https://doi.org/10.1177/1367549421988966
Foxwell-Norton, K., Anderson, D., & Leitch, A. M. (2021). Women of the Great Barrier Reef: stories of gender and conservation. Queensland Review, 28(2), 150-165. https://doi.org/10.1017/qre.2022.12
Edmond, M. (2019). Gender, Policy and Popular Music in Australia: ‘I Think the Main Obstacles Are Men and Older Men’. In (1 ed., pp. 73-88). Bloomsbury Publishing Inc. https://doi.org/10.5040/9781501345531.ch-006
Edmond, M. (2023a). Careful consumption and aspirational ethics in the media and cultural industries: Cancelling, quitting, screening, optimising. Media, Culture & Society, 45(1), 92-107. https://doi.org/10.1177/01634437221099615
Edmond, M. (2023b). Enduring inequalities: Fifty years of gender equality talk in the media and cultural industries. European Journal of Cultural Studies. https://doi.org/10.1177/13675494221145307
Fitch, K. (2017). Seeing ‘the unseen hand’: Celebrity, promotion and public relations. Public relations inquiry, 6(2), 157-169. https://doi.org/10.1177/2046147X17709064
Fitch, K. (2018). Can you see me?: Images of public relations in Babylon. In (1 ed., pp. 95-104). Routledge. https://doi.org/10.4324/9781315208251-8
Fitch, K. (2020a). Betty Stewart, Orientalism and Oriental Cavalcade: Entertainment public relations in late 1950s Australia. In. United Kingdom: Taylor & Francis Group.
Fitch, K. (2020b). Wives, secretaries and bodies: Representations of women in an Australian public relations journal, 1965–1972. In (1 ed., Vol. 1, pp. 61-80). Routledge. https://doi.org/10.4324/9780429451287-5
Fitch, K., Clark, T., Kaur, K., Simorangkir, D. N., & Souket, R. (2023). Opening spaces for researching feminism and public relations: Perspectives from Australia, Indonesia and Malaysia. Public relations inquiry, 12(1), 93-111. https://doi.org/10.1177/2046147X221110132
Fitch, K., James, M., & Motion, J. (2016). Talking back: Reflecting on feminism, public relations and research. Public relations review, 42(2), 279-287. https://doi.org/10.1016/j.pubrev.2015.05.006
Gill, R., & Kanai, A. (2018). Mediating Neoliberal Capitalism: Affect, Subjectivity and Inequality. Journal of Communication, 68(2), 318-326. https://doi.org/10.1093/joc/jqy002
Kanai, A. (2017). Beyond Repudiation: The Affective Instrumentalisation of Feminism in Girlfriendly Spaces. Australian Feminist Studies, 32(93), 240-258. https://doi.org/10.1080/08164649.2017.1407641
Kanai, A. (2020). Between the perfect and the problematic: everyday femininities, popular feminism, and the negotiation of intersectionality. Cultural studies (London, England), 34(1), 25-48. https://doi.org/10.1080/09502386.2018.1559869
Kanai, A. (2021). Intersectionality in digital feminist knowledge cultures: the practices and politics of a travelling theory. Feminist Theory, 22(4), 518-535. https://doi.org/10.1177/1464700120975701
Kanai, A., & McGrane, C. (2021). Feminist filter bubbles: ambivalence, vigilance and labour. Information, Communication & Society, 24(15), 2307-2322. https://doi.org/10.1080/1369118X.2020.1760916
Khoo, O. (2020). On the Joys of Administration: Or Race, Failure, and the Neoliberal Academy. MAI: Feminism & Visual Culture, (5).
Khoo, O. (2023). Picturing Diversity: Netflix’s Inclusion Strategy and the Netflix Recommender Algorithm (NRA). Television & New Media, 24(3), 281-297. https://doi.org/10.1177/15274764221102864
Le, T. (2022). Crowdsourcing Women's Experiences of Space: Empowerment, (In)Visibility, and Exclusions -- A Critical Reading of Safetipin Map. PLATFORM: Journal of Media & Communication, 9(1), 43-55. https://doi.org/10.46580/p62073
Monaghan, W. (2021). Post-gay television: LGBTQ representation and the negotiation of ‘normal’ in MTV’s Faking It. Media, Culture & Society, 43(3), 428-443. https://doi.org/10.1177/0163443720957553
Monaghan, W. (2023a). Feminism at the movies: sex, gender, and identity in contemporary American teen cinema. Feminist Media Studies, 23(7), 3258-3273. https://doi.org/10.1080/14680777.2022.2108481
Monaghan, W. (2023b). Streaming Queer Content: LGBTQ Media on BVOD and SVOD Services in Australia. Television & New Media, 0(0), 15274764231217106. https://doi.org/10.1177/15274764231217106
Perkins, C., & Schreiber, M. (2019). Independent women: from film to television. Feminist Media Studies, 19(7), 919-927. https://doi.org/10.1080/14680777.2019.1667059
Smaill, B. (2014). The Male Sojourner, the Female Director, and Popular European Cinema: The Worlds of Susanne Bier. Camera obscura (Durham, NC), 29(1), 5-31. https://doi.org/10.1215/02705346-2408498
Sobande, F., Kanai, A., & Zeng, N. (2022). The hypervisibility and discourses of ‘wokeness’ in digital culture. Media, Culture & Society, 44(8), 1576-1587. https://doi.org/10.1177/01634437221117490
Stromblad, C., & Baker, A. (2023). Music-making Beyond the Pub: The Importance of Community Music and DIY Enterprise in Maintaining Regional Music Scenes (Gippsland Case Study). Popular music and society, 46(3), 242-264. https://doi.org/10.1080/03007766.2022.2161240
Trott, V. A. (2018). Black “rantings”: indigenous feminisms online. In J. Keller, & M. E. Ryan (Eds.), Emergent Feminisms: Complicating a Post-Feminist Media Culture (1st ed., pp. 143-158). (Routledge Research in Gender/Sexuality/Media). Routledge. https://doi.org/10.4324/9781351175463-9
Trott, V. (2021). Networked feminism: counterpublics and the intersectional issues of #MeToo. Feminist Media Studies, 21(7), 1125-1142. https://doi.org/10.1080/14680777.2020.1718176
Trott, V. (2022). The virtual clubhouse: Australian women's cycling and digital counterpublics. Feminist Media Studies, ahead-of-print(ahead-of-print), 1-17. https://doi.org/10.1080/14680777.2022.2149602
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Baker, A. (2022). Examining sexual violence in the music city of Melbourne. City of Melbourne and the Office of Women (Victorian State government), 1-115, in press.

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