22–30 November 2019
Mon-Fri: 10am – 5pm
Saturday: 12–5pm
Monash University
Art Design & Architecture
900 Dandenong Road
Caulfield East, Victoria
Selena Repanis
selenarepanis.com
amici.studio
selenarepanis@gmail.com
Selena Repanis, Girlboss — A Screenprinting Workshop
On November 2nd, I hosted a screenprinting workshop in Abbotsford. Participants brought along pre-loved clothing, and then customise them using graphics designed to subvert the “Girlboss” narrative popular in neoliberal feminism today. My practise asserts that neoliberal feminism reinforces consumerism — this workshop was intended to provide an opportunity for people to come together meaningfully, outside of that consumer context.
Selena Repanis, Girlboss — A Screenprinting Workshop
On November 2nd, I hosted a screenprinting workshop in Abbotsford. Participants brought along pre-loved clothing, and then customise them using graphics designed to subvert the “Girlboss” narrative popular in neoliberal feminism today. My practise asserts that neoliberal feminism reinforces consumerism — this workshop was intended to provide an opportunity for people to come together meaningfully, outside of that consumer context.
Selena Repanis, We Never Close
We Never Close is a publication dedicated to 199 Queens Parade, Clifton Hill — both a 24-hour McDonalds, and a repurposed Art Deco heritage-listed building. This publication looks into the chaotic nature of 24-hour retail spaces, designer JH Wardrop’s contributions to Victorian architecture, but mostly an experiment looking into the reflexive nature of books themselves.
Selena Repanis, We Never Close
We Never Close is a publication dedicated to 199 Queens Parade, Clifton Hill — both a 24-hour McDonalds, and a repurposed Art Deco heritage-listed building. This publication looks into the chaotic nature of 24-hour retail spaces, designer JH Wardrop’s contributions to Victorian architecture, but mostly an experiment looking into the reflexive nature of books themselves.
Selena Repanis, Terms & Conditions — Bookworks @ MUMA.
As part of Adam Cruickshank’s “Terms & Conditions” at MUMA’s Bookworks, I was asked to promote Rachel Schenberg’s contribution to the show. This flyer was designed, risograph printed, and distributed at MUMA in September 2019.
Selena Repanis, Charlie Bit My Finger — Again!
vimeo.com/341318004
The online platforms we used everyday act as archives for our most intimate memories conversations. This also means those memories are forever linked to the online platform itself. What happens when intimate social publics are made public in an entirely different sphere? On June 10, at 10:52am, my rendition of Charlie Bit My Finger — Again! played on the million dollar big screen at Monash University, Caulfield.