Milli’s work is an evolving investigation in attempt to dismantle the authority and censorship of post-colonial photography and rather explore site and the image-making process in a decolonising manner. In Untitled 2019, the repeated image acts as an experimentation and rebuff of the ‘the original’, ‘the final image’ or ‘proof’ and rather reveals the endless possibilities of the subject matter and the darkroom photographic process.
Despite her attempts to achieve a certain outcome, the result ultimately gives way to chance.

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