Projects

Colourful tiled murals in Sydney Metro Gadigal Station

Winning competition entry for the Embassy of Australia, Washington USA.

Shortlisted proposal for the National Arboretum Canberra’s Front Dam Public Art Commission

Shortlisted proposal for Kalorama Land Art commission

Permanent public artworks embellishing laneway doors in Sydney CBD

A major installation activating the eastern façade of the Geelong Arts Centre.

A dynamic sculpture to be sited along the Peninsula Link freeway in Melbourne’s South East.

A contemporary installation situated in Curtin Place, a public laneway adjacent to Harry Seidler’s iconic Australia Square in Sydney’s central business district.

Shortlisted proposal for the Rural City of Wangaratta Oxley Gateway Public Art Commission

Permanent Public Artwork at The Ace Hotel in Sydney

A new entryway for 18 Innovation Walk, on the Clayton campus of Monash University.

An examination of creative practices in the public realm.

Hovering in the space between art and architecture, ‘Blubber’ is a work that conflates the rigid geometry of the grid with the soft, organic and indeterminate. It is a piece of experimental architecture that incorporates into its development and formation the unpredictable forces of both human nature and their participation

Our shortlisted submission to the Carriageworks pavilion competition was made up of a number of options that all explored the great working class tradition of production at the Everleigh locomotive works in Redfern, Sydney which was once the largest locomotive production workshop in the world. These various attempts explored the materiality

Gormenghast was an open stage/platform above with shelter below - designed in collaboration with artists group DAMP to use for a series of workshops and performances as part of Rosemary Forde’s Curatorial PhD at MADA. The pavilion was constructed in the Ian Potter Courtyard in consultation with Monash University Art

Immigration Place aspires to be a place where Australians and visitors can reflect on and celebrate our migrant history and the contribution of immigrants and immigration to our nation’s community and culture. It will be a meeting place, a focus for collecting and sharing stories and a place of welcome

When Callum Morton a couple of years ago for the first time visited the historic and contemporary milieu, he coincidentally re-read Albert Camus’ The Myth of Sisyphus at the same time. This lead to the developing of a new piece relating and interpreting several dimensions of the specific site –

The level crossing between Skye and Overton roads in Frankston was removed with a rail bridge built above the road in June 2018. As part of the project, The Level Crossing Removal Project sought proposals to incorporate Public Art.This is a collection of investigative proposals submitted by MAP.

Part three of the ongoing project ‘Termite Economies’, this exhibition continues Nicholas Mangan’s use of termite behaviour as a way to explore new ways of viewing relationships between nature and culture.This latest iteration, ‘Neural Nodes and Root Causes’, looks at neural and biological systems, plasticity and locations of control, and