Barreeng Yirramboi Symposium

Barreeng Yirramboi is a research symposium and exhibition program presented by the Wominjeka Djeembana Indigenous Research Lab at Monash Art Design and Architecture (MADA). It aims to highlight the relationality between practice-led research and Indigenous ways of knowing.
Wominjeka Djeembana opened in 2019 with a vision of providing an identity of Indigeneity at Monash Art, Design and Architecture (MADA) on Caulfield campus. We teach into undergraduate courses, nurture a dynamic Higher Degree by Research program for Indigenous/First Nations candidates, and lead research across creative practice and Indigenous Knowledge systems.
Last year we presented the Ngarnga-dha (hearing/listening) Research Symposium where we showcased some of the incredible research coming out of Wominjeka Djeembana. For this year’s symposium we hope to build on that knowledge as we present Barreeng Yirramboi; Boon Wurrung words translating as tracks towards tomorrow or as Senior Boonwurrung Elder, N’arweet Professor Carolyn Briggs AM explains "it's about the journey of coming into knowledge and envisioning new futures".
We are honoured to invite our keynote speakers to this year’s event:
- Associate Professor Ali Gumillya Baker (Mirning), and Dr Faye Rosas Blanch (Yidinyji/Mbararam) will speak together about refusal, collectivity and vulnerability.
- James Nguyen, speaking in broken tongues, will question how might refugees from non-English speaking backgrounds come to terms with our occupation of Aboriginal Land? How do we contest the resettlement myth of the tabula rasa – the fresh start – the Diasporic Neo-Terra Nullius?
The program will also feature presentations by our PhD candidates and a series of convened panels to deepen the conversation about how Indigenous methodologies are employed within creative practice and the importance of art to storytelling and sharing knowledge.
Alongside the symposium is a creative practice exhibition at the MADA Gallery by our PhD candidates and staff.
The symposium will take place in person on the Caulfield Campus with some events recorded and made available to share online. Catering will be provided.
Program
19 July 2022
10.15am | Welcome to Country with Senior Boonwurring Elder, N'Arweet Professor Carolyn Briggs AM |
10.30am | Introduction to Wominjeka Djeembana by Professor Brian Martin |
10.45am | Keynote: Speaking in Broken Tongues by James Nguyen |
11.30am | Q and A with Professor Brian Martin |
11.45am | Artists panel: Bradley Webb, Gabi Briggs and Kareen Adam, convened by Dr Desiree Ibinarriaga |
12.45pm | Lunch |
1.30pm | Tour of Collective Movements at MUMA |
2.15pm | PhD Presentation: Restoring the Spirit; histories of collecting and the intersection of First Peoples cultural material, contemporary art and curatorial practice by Kimberley Moulton, convened by Dr Peta Clancy |
2.45pm | Performance by Laniyuk |
3.00pm | Panel: Relational accountability as praxis of care with Dr Paola Balla, Laniyuk and wani toaishara in conversation |
4.00pm | Afternoon tea and wrap up with Professor Brian Martin |
4.45pm | Close |
5-7pm | Opening of exhibition at MADA Gallery |
20 July
10.00am | Acknowledgement of Country |
10.05am | Opening Performance (TBC) |
10.10am | Housekeeping and introductions by Professor Brian Martin |
10.15am | Keynote: Refusal, Collectivity and Vulnerability by Associate Professor Ali Gumillya Baker and Dr Faye Rosas Blanch |
11.00am | Q and A with Professor Brian Martin |
11.15am | Panel: Praxis of Holding Space with Jahkarli Romanis, Moorina Bonini, Kate ten Buuren and Maya Hodge |
12.30pm | Lunch |
1.30pm | PhD presentation: Space making and the nuances of accountability by wãni Toaishara, convened by Dr Peta Clancy |
2.00pm | PhD presentation: Caring for Country: Aboriginal psychology of placemaking and community by Kirrakee Teea Watson, convened by Dr Peta Clancy |
2.30pm | Wrap up with Professor Brian Martin |
2.45pm | Symposium closes |
We acknowledge and pay respects to the traditional and sovereign territory of the Boon Wurrung and Wurrundjeri peoples of the Kulin Nations, the traditional owners of the land on which Wominjeka Djeembana is located.
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