Artists in the gallery

Learn about the artists on display in the gallery

Self-Cultivation begins with the personal before its benefits can be spread to others.

Art provides an important path in all traditions to the sharing of mindfulness and universal compassion and wisdom that comes from self-cultivation.

Monash University Library is privileged to host the work of three contemporary artists in the gallery. Each has created pieces that reflect how self-cultivation practices have been shared and taught from the East to the West and back again.

The Venerable Hong Si

Hong Si [弘四], with the Dharma names Ruyu and Renhao, and the sobriquets Ansheng and Zouseng, was born in 1961 in Shanghai. In his early years, he studied under the renowned contemporary monk Venerable Shangmiao Xiaoling, delving into the theories of Yogācāra (Consciousness-Only) and esoteric Buddhism. He later became a monastic under Venerable Shangneng Xiashan. He subsequently pursued specialized studies in logic and epistemology under Professor Zheng Weihong of Fudan University. In 2017, he assumed the role of Chief Abbot at Longtan Chan Temple, Zhejiang China. Venerable Hongsi is the founding proponent of the teaching, "a smile is an act of kindness.”

His works have been collected by numerous international institutions and individuals, including UNESCO, the United Nations International Theatre Institute, the Metropolitan Museum of Art, the William & Paterson Foundation for the Arts at the University of Pennsylvania, the Rong Foundation of Hong Kong, the Hong Kong International Ink Painting Society and the French Han Zhi European Art Centre.

Artistic vision

Art is the embodiment of his Buddhist mindfulness and universal compassion and wisdom. As such Venerable Hongsi has dedicated himself to researching the philosophical significance and logical composition of imagery in Chinese Buddhist painting. As an artist who promotes the Dharma through his paintings, his works serve as a manifestation of the Dharma-related dimensions of space, time, and tempo in spiritual practice—a philosophical and logical expression of the relationship between the universe, nature, and humanity.

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Daheng Ou

Daheng Ou (區達恆) grew up in China and moved to Australia in high school. A former Monash graduate with Honours in Chemistry, he is currently completing a doctorate in Engineering at Deakin University. Daheng taught himself traditional Chinese ink wash painting, learning painting techniques and philosophies through books he read in the Matheson Library. Daheng continues to pursue Chinese calligraphy art, inspired by the movement of ink on paper and the Chinese literati painting styles, which focus on the inner-world and self-expression of the artist.

Kristina Mah

Dr Kristina Mah (born in Manila, Philippines) is an artist, design researcher and educator living and working at Naarm (Melbourne). She grew up on Gadigal-Wangal land (inner-west Sydney), Australia.

Her art and research draw inspiration from ancient wisdom traditions — particularly Buddhism and Daoism — and emphasises embodied ways of knowing and lived experience. Kristina’s background as a martial arts practitioner and has studied karate and kobudo for over 30 years, along with a more recent interest in the Chinese internal arts. These practices inform her exploration of compassion and entanglement in more-than-human contexts, as realised through new media, performance, and installation.

She has exhibited and performed at the Art Gallery of NSW, VIVID Sydney, Carriageworks Sydney, Bankstown Arts Centre, Gallery Lane Cove, 4a Centre for Contemporary Asian Art Sydney, and Melaka Arts and Performances Festival, Malaysia.