Utilising a logic that is sensory and compulsively circular, Moriarty elevates found debris into a self-fulfilling functionality.
A hook, a latch, concrete rubble; objects are collected instinctively. Obtained separate and displaced, they hold one-another; their references are both preserved and recontextualised. These materials contain an agency in their relationship to each other and the site, the relationship is both logical and visceral within its logic. A poetic satisfaction through recognition occurs.
Works become charms extending from the architecture, sitting in a charged, humming loop that is encapsulated within each form. Structures support themselves, held in a tense, connected space of being and becoming.