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The full title of Stanley Kubrick’s 1964 comedy is Dr Strangelove: Or, How I Learned to Stop Worrying and Love the Bomb. This subtitle has always fascinated me, appearing to embody both a reclamation and resignation of freedom in the face of modernity.
The current landscape of media and technology also seems populated by such ambiguities; optimism surrounding technological progress conflicts with anxieties regarding its eventual domination. Drawing together bright colours, playful text and a haunting, depopulated installation space, I present a meditation on my relationship with media and its effect on my subjectivity.